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FIM
Energy Center Model 883-15 Review
at Positive
Feedback
By Lester Mertz
Issue #20
You may remember Copernicus from high school
science classhe was the guy who said that our home planet
was round, not flat. His idea that our planet revolved around the
sun and not the other way around caused a lot of agita (indigestion,
if you're not Italian) to those in power. The Church believed that
the earth was the center of the universe, and as the source of all
authority and power, convinced everyone who didn't want to be burned
at the stake that Church dogma was the only option. The Copernican
Revolution may now appear trite, but it was a breakthrough in thinking
for its time.
Some of you already know that the quality
of the AC power coming into your system makes a huge difference
in the way it sounds, but for those who don't, here's another revolution!
Do everything you can to make sure that each electron is doing its
part in giving you that ultimate sound. If you have purchased all
of the state-of-the-art gear that you can afford, and you're still
not getting the magic you long for, you're probably wondering what
to do next. A lot of press is given to high-performance interconnects
and speaker cables, as these are usually the novice's first upgrade.
They do make a difference, but in my opinion, not nearly as much
as solid power connections for your amplifier and front end components.
Excellent power outlets, power cords, and power distribution centers
will take you further down the road toward audio perfection, and
I strongly recommend that you start there.
There are dozens of power products on the
marketregenerator boxes, transformers, isolation devices,
and some gee-whiz items that border on science fiction. I haven't
tried all of them, and I don't know anyone who has, but I have owned
some, and they have all been auctioned off to the highest bidder.
I also have listened to many more such devices in my friends' systems.
The most noticeable problem I encountered was a lack of dynamics,
as if the amplifier was being starved for power. Many boxes shrank
the soundstage, and seemed to make the system more polite, although
in some cases this was a good thing. Then there were the obvious
changes in the character of the sound. The most irritating to me
was the sibilance that often gets passed off as increased detail.
I felt that the sound of my system with these devices lacked life
when compared to live instruments.
Many of my audiophile friends are also disenchanted
(to say the least) with these expensive boxes. Some have replaced
them with even more expensive boxes, but really, how much are you
willing to pay for Hubbell outlets? Why not step back a moment?
Like many system changes, these boxes can be impressive at first,
but upon long-term listening you notice that things are not quite
right. The music is no longer flowing, engaging, or natural. You
don't listen as long as you used to, and those late-night sessions
with brand-new discs have ceased to be a common occurrence. There's
a malaise that tells you that it's time for a change.
Although it has been said many times in other
publications, here it is again: For the most coherent sound, plug
every piece of gear into the same AC line, and make sure all are
in phase electrically, meaning that all of the hot and neutral leads
match up. (Hopefully all of the equipment is also correctly wired.)
To get everything coherent, you will need a distribution box to
plug everything into. This allows all the equipment grounds to be
very close to the same potential and (hopefully) produce minimum
hum. The distribution box needs to be plugged into the best AC outlet
you can find, on a dedicated line to the house's incoming power
at the main breakers, if this is possible. Many audiophiles plug
their equipment into any outlet that is nearby, and some of these
may not even be on the same circuit. This is a not a good idea,
and usually causes harmful phase issues and grounding problems.
Another issue that many fail to appreciateor
even contemplateis using different brands of power conversion
devices in one system. Did you consider that they may not be compatible
with each other? Certain types of electrical devices can affect
the entire circuit, and may degrade the performance of other power
devices in the system. Some of the newer digital gear uses switching
power supplies, and these may (or may not) be compatible with regenerator
boxes. Some manufacturers flatly state that they do not recommend
regenerators, and will not honor warranties if you use one with
their equipment. Find a dealer who is willing to let you try these
things in your system, and don't fall for the line "It will
take six to eight weeks to break in" unless the dealer will
take it back with a full refund.
I always visit the First Impression Music
booth at CES and pick up of a few of their fabulous-sounding discs.
FIM discs are always a sonic treat. The last time I stopped by,
FIM was doing demos with some beautiful 24-karat-gold-plated IEC
connectors and wall plugs. The guy doing the demo plugged one of
the connectors into an IEC socket, then asked people to try to pull
it out. I tried, and it really made a gripping impression on me,
so I bought a Model 302 plug, along with the Model 303 receptacle
end, to upgrade one of my power cords. When I got home, I replaced
each end of my trusted 15-year-old Kimber Kord with the FIM pieces
and inserted it into my Arcam 33 T CD player. Holy cow, what an
amazing change! The whole frequency spectrum opened up. According
to the FIM catalog, "
using the best possible power connectors
is essential to insure clean and full AC power for the components
of your system. It is the fundamental and primary step for good
sound." My experience has led me to the same conclusionthey
just said it more succinctly than I could.
FIM power outlets are available at several
price points, beginning with the Model 880, which is made of copper-coated
metal, not silver or gold. (I am told that this product may no longer
be available by the time this article is published.) The top of
the outlet line is the 883, a 24-karat-gold-plated outlet made in
Japan, while the others are made in the U.S. The 883 can be ordered
with a special chrome wall cover, and comes with gold lugs to crimp
onto the Romex wire in the wall. Comparisons between the entry-level
and the top-of-the-line outlet revealed more air and more detail.
These outlets are excellent!
While I was on the phone discussing power
outlets with the proprietor of FIM, Winston Ma, he recommended the
Model 883-15 Energy Center. It is not cheap (though I am), but after
several minutes of deliberation I ordered the unit. It must have
been a flash of inspiration. The 883-15 distribution box contains
six Model 880 outlets, two of them modified for a lower noise floor
for your front-end gear. The box is custom-made in the U.S. out
of a solid maple block, with copper plates covering the top and
the inlet end. The internal wire is ultra-pure cast copper, which
is noted for excellent sound because of its low crystal count. Low
crystal count means fewer lattice junctions and smoother, unimpeded
current flow. The Energy Center made a profound difference in the
sound of my system, much more than I would have believed from looking
at it or reading about it. The first thing I heard was a wonderful
openness, and after that a coherence I never thought my simple system
could produce. With the FIM Energy Center in my system, each power
cord had its own signature, more pronounced than I had heard before,
and the same was true for interconnects and speaker cables.
Will the FIM outlets, wall plates, and distribution
boxes make a difference in your system? Of course! You will have
deeper, more defined, and more powerful bass, quieter backgrounds,
and a midrange that is, in a word, voluptuous. Cellos sing with
a wonderful, wooden sound, and pull you into each musical performance.
A singer's voice will be tightly focused, right in front of you,
and it will not wander around the soundstage. These products are
the real deal. Using them is like having a top-rated piece of gear
added to your system, and they are much less expensive than a new
amplifier. The FIM duplex outlets are simply a must have, and at
the price, they're a steal! Don't forget to get the shielded faceplates
to go with themthey're well worth the modest investment.
Winston Ma makes excellent recordings. To
do that, he must be able to hear everything that is occurring during
and after the recording and mastering sessions. He has used his
listening skills to create excellent power products for his own
system, and now for yours. You must read the FIM catalog to get
his full design philosophy, but the first sentence gives you the
point: "To bring life to recorded music." I don't know
of other recording engineers who produce their own gear (with the
exception of Pierre Sprey of Maple Shade), but I hope more of them
give it a try. Electrical engineers may know circuit theory, but
a real revolution usually comes from someone outside of the church
(i.e., university)! The FIM products are valued additions to my
modest audio system. They are worth every penny.
Lester Mertz
FIM 883-15 Energy Center
Retail: $850
LESTER J. MERTZ'S SYSTEM
LOUDSPEAKERS
DIY - 1. LJM Originals, Transmission Line w/ Dynaudio 17W75 and
Morel MDT30, 2. LJM Modified, BK16 folded horn w/ Fostex
FF165K and Peerless Soft Dome, 3. LJM Originals, Floor Stander,
w/ Vifa P17WJ and Vifa DX25SG, 4. LJM Modified, Dynaudio "Aries"
(currently on loan to Tim Stant), and 5. LJM subwoofer, w/
Audio Concepts AC12.
ELECTRONICS
Blue Circle BC21.1 preamplifier, Linn phono stage, and Sonic Frontier
Power 1 (55w) with Svetlana's 6550c Output, and 6N1P Drivers, B&K
ST 140 (105w), and Sound "Valve 110 SE" (on loan from
Fred Kat) amplifiers.
SOURCES
Arcam CD 33 T, Linn LP12, Grace 707, Signet Mk 110 E (mc) into Monolithic
PS 1.
CABLES
Audience, "Au24" (on loan from Keith Oyama), Ridge Street
Audio Design, "Poiema!!", DH Labs, "Air Matrix",
DH Labs, "Silver Sonic", LJM, RS microphone, Maple Shade,
"Double Helix", Synergistic Research, Active, "Looking
Glass", van den Hul, "The Second", van den Hul, "D300
Mk III Hybrid" interconnects. van den Hul, "D352 Hybrid"
speaker cables. Blue Circle, BC02, Kimber Kord, Synergistic Research,
Active, AC Master Coupler, and LJM Originals, Marinco Plugs w/ Belden
14-AWG AC cords.
ACCESSORIES
Acme Audio Labs, cryogenic treated outlets and Hubbell, outlets,
Mod Squad Tip Toes and cones, Mana Sound Frame, FIM 305 (roller
balls), Vibrapods, Maple Shade Iso-Blocks, Maple Shade Maple Boards,
Marchland XM9 electronic crossover, Boos Blocks, Rock Maple Granite
Slab, Target Stand TTSA5, LJM Wood Blocks/Equipment Stands, VPI
16.5 (record cleaning machine).
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